Archive for the Spotlight Category

Top 10 EU Moments in Film

Posted in Spotlight with tags , , , , , on 9 March 2017 by Megan

The Star Wars Special Editions turn 20 years old this year, and thinking about these much-maligned, much-misunderstood installments to the Star Wars saga got me thinking about how they demonstrate a very important point.

Something you’ve heard me assert over and over is that to George Lucas, the EU was just as canon as his films. Now, people get off on tangents of “he didn’t think the EU was canon because he didn’t follow it,” but that’s absurd. He was the creator. Why should he follow someone else’s ideas? But that doesn’t mean he didn’t consider the ideas he authorized to be just as “true” as the films he made.

Lucas asserted this himself over and over. But actions speak louder than words. Here’s eight times George Lucas went out of his way to reference the EU in his films, demonstrating his belief that it was canon and “counted.”

Honorable mention: Prince Xizor

Did you know that the Prequel Trilogy used more models and miniatures than the Original Trilogy? Despite criticisms that they’re “all CGI” and “CGI heavy,” the PT actually won awards for its miniatures. In one such model, the Phantom Menace crew inserted a Xizor action figure among the filler for the crowd attending the Boonta Eve Podrace. This pretty obviously isn’t intended to be a canonical reference, but it’s fun and so I point it out.

10. Twi’leks and Rodians

Although both species were obviously Lucas’ creation — Rodians appearing first in 1977 (Greedo) and Twi’leks in 1983 (Oola) — they weren’t named until later in the EU. West End Games published The Star Wars Sourcebook in 1987, coining the word “Twi’lek,” and their 1989 Galaxy Guide 1 gave us “Rodian.” published by West End Games. Although neither word is ever spoken in any of the films, George Lucas used the names freely and they appear in production notes and interviews throughout production of the prequels.

(Bonus points: Rystáll Sant, pictured with the Twi’leks and Rodian dancer above, is part Theelin, a species that first appeared in Dark Empire.)

9. Bogden, Muun, Rishi, Tund

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These planets all appeared first in the EU in various places — Tund is oldest, from 1983’s Lando Calrissian and the Starcave of ThonBoka — and were used by George Lucas to seed the dialogue with the rich geography we could expect from a galaxy far, far away.

8. Force speed and Force grip

Force-users have special powers in video games, and some of those powers made it onto the silver screen. Obi-Wan and Qui-Gon use Force speed to escape droidekas in The Phantom Menace, and Dooku uses Force grip against Obi-Wan in Revenge of the Sith.

7. Aurebesh

“Alien gobbledygook characters” appear in the films, but it was Stephen Crane who designed a legitimate, sensible alphabet with the characters for West End Games in 1994. The DVD editions of the film edit Aurebesh translations into places where English was originally seen, and the PT uses Aurebesh meaningfully as well.

6. Quinlan Vos

In an interview in 1999, George Lucas stated that he wanted the EU to pick up background characters and give them stories. He used Aurra Sing as a specific example — but Aurra Sing had an identity supplied by the film. Jan Duursema asked for permission, picked a random person out of the background, and created Quinlan Vos from him. He got two comic series and some other appearances in the EU before George Lucas picked him up for Revenge of the Sith. Although his scene never made it to filming, Obi-Wan Kenobi still mentions “Master Vos” in a briefing to Anakin.

5. The Outrider

It’s fitting that Shadows of the Empire should have so many references in the special edition: Steve Perry’s work was used to test whether the public was receptive to such a major project as a restored re-release and new trilogy. A New Hope SE is full of swoop bikes, labor droids, and other minor ephemera from Shadows and WEG sourcebooks, but the most notable of all is Dash Rendar’s Outrider, seen flying over Mos Eisley.

4. Double-bladed lightsaber

The first double-bladed lightsaber in Star Wars belonged to Exar Kun. It appeared in 1995, in Tom Veitch’s Tales of the Jedi: The Sith War 3, The Trial of Ulic Qel-Droma. The same weapon then arrived in the hands of Darth Maul four years later in The Phantom Menace.

3. Lightsaber deflecting lightning

Timothy Zahn first considered that a lightsaber could deflect Force lightning and asked Lucas if he could include it in his Thrawn Trilogy. The Maker approved, and the combat move first appeared in The Last Command in 1993. Apparently the Maker approved so much that he had Obi-Wan Kenobi do the same thing in Attack of the Clones in 2002.

2. Aayla Secura

Speaking of Quinlan Vos — Padawans get all the luck, don’t they? Jan Duursema and John Ostrander came up with Aayla for Quinlan’s apprentice and she appeared in Star Wars 19: Twilight 1 in 2000. George Lucas was so taken by the artwork created for her that he created scenes for her in both Attack of the Clones and Revenge of the Sith.

1. Coruscant

The biggest of all the big tamales: Coruscant. George Lucas had created the galactic capital city-planet for A New Hope, but he called it Alderaan and budget prevented him from ever realizing it on screen. The WEG sourcebooks Zahn was asked to use for canon material simply called the capital “Imperial Planet,” so he chose a word to capture the image of a city planet glittering in the cosmos: Coruscant. The planet first appeared — nameless but known — in Return of the Jedi in 1997, but Lucas vindicated the entire EU as co-canon with his films when he designated the galactic capital Coruscant in 1999. And there was not a Star Wars heart in the place that didn’t burst with pride when we first heard Qui-Gon Jinn say, “I’m taking these people to Coruscant” and we all knew.

My First Marathon

Posted in Fun, Spotlight with tags , , , on 23 February 2017 by Megan

In my last two posts, I told you all about how Star Wars and I met. Yesterday was twenty years since Return of the Jedi blew my mind and became my favorite movie of all time. Today is twenty years since I first watched the original trilogy in a marathon.

Star Wars Marathons are a sacred tradition that, I’m sure, go all the way back to 1983, though I wasn’t around and can’t personally vouch for that. Three movies though they may be, they are simply parts of a whole, and to do the story justice, they must be watched one after the other.

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My first marathon was mismatched and a matter of sheer pragmatism: we only owned A New Hope and V and VI were due to return to the video store the next day. It was a Sunday, and back then a marathon only took about six hours. I had no idea when I would ever get to see E5 or E6 again, so I can tell you I was rapt for the whole thing.

That evening, my diary was bursting with six Star Wars-packed entries in a row; determined not to take up more than one page per entry (for some reason), I turned to the second string — the Lisa Frank diary from the year before that had exactly one empty page left. So February 23 has two separate entries about Star Wars . . . and a rather embarrassingly bad crayon drawing of “Good vs. Evil.”

February 23 also marks the date I heard my first prequel rumor: sure, Star Wars fans had been bandying the idea of a new trilogy for years, but two weeks before, I’d never even heard of Star Wars at all! “Mom said that Corey said that they are coming out with episode I (one) II (two) and III (three) When they were kids!!!”

There’s a tremendous irony to the fact that even though February of 1997 is crammed with diary entries featuring the words “Star Wars,” the same diary goes absolutely silent until October on the subject. I watched A New Hope four times in two weeks (and E5 + E6 twice in two days), had to write sideways in the margins of my diary to cover all my thoughts about it, and yet for all intents and purposes, utterly forgot the movie existed for the next six months.

It’s interesting that just as I had to have Return of the Jedi to really care about the trilogy, I didn’t really care about Star Wars until . . . the Expanded Universe.

And I guess you’ll just have to wait until December for that story. But don’t worry, I’ll post again in October to tell you all about the next big event in my Star Wars life ;)

Twenty Years, Part 2

Posted in Fun, Spotlight with tags , , , , , on 22 February 2017 by Megan

It’s amazing what things stick with you and how clearly they stick. As I said in the last post, I remember with absolute clarity the first time I saw Star Wars: A New Hope. I even remember when I saw E4 for the second time and, with similar exact clarity, when I saw The Phantom Menace in the theater two years later. Ditto Revenge of the Sith. Yet for all that, I don’t remember the first time I saw Empire Strikes Back or Return of the Jedi, even though E6 is my favorite and the most important of the six.

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The first Star Wars I ever saw!

As I said last time, the first time I ever saw E4 was February 12, 1997. We watched it again the next day — 10 AM on a Thursday, my older sister grabbed me and said, “Hey, see if Mom will let us watch that movie from last night again.” A third, but partial, rewatch occurred again on February 18th, so already there was something major and significant about this movie.

Then, nine days after I saw A New Hope for the first time, Mom rented The Empire Strikes Back. I must have been after her to see it; I’d been watching anniversary interviews with the cast on Rosie and Oprah, not knowing who Billy Dee Williams was as he described angry kids yelling at him for betraying Han Solo. Han Solo got betrayed?! Was he killed?! I had to see this movie! Kroger — which did video rentals back then, if you can believe it — didn’t have any, so I remember Dad pulling a few doors down to the West Coast Video where Mom ran inside. It was raining. Can you believe I remember rain from 20 years ago? Yet I don’t remember the actual moment we sat down to watch the movie.

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I didn’t have much to say about it in my diary that night, either. The most significant thing was “It was almost 70 degrees!!!!” followed by how much I hated doing English (ironic given that I later majored in English…)

Then the bombshell. Then Return of the Jedi.

1983 ROTJ Poster

It was partly a bombshell because of how clever my mom is. She went into the video store alone because it was raining and we had groceries in the car. She let me hold the E5 VHS on the way home and put it on top of the TV for viewing. I absolutely took for granted that it would be at least one week before we could get E6. (“Town” was 18 miles away and going in for groceries was a weekly thing.) So I was pretty nonchalant about the cliffhanger ending.

The next day was February 22, a Saturday, and I was replaying The Island of Doctor Brain on our Windows 3.0 Compaq in Dad’s office.

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Even though that picture was taken in 2003, Dad’s office pretty much never changed the entire 16 years they lived there. Same computer! So the point is that’s where I was sitting sometime after lunch when I got to this screen:

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I’d played the game before, so I knew where all the Easter eggs were — the best thing about Sierra computer games was that you could right-click for jokes. And I called for Mom, always my first response upon a new discovery, and said, “LOOK! I never got that before!!” Right-clicking on the hut at the top left of the screen produced a box of text reading Don’t mess with Jabba the Hut.

We laughed and then Mom got a mischievous glint in her eye. “You want to see what he looks like?” she asked. I was like, Huh? and followed her out of the office, which was right next to their room, and she opened their closet and pulled out the opaque rental case for Return of the Jedi. My mind was absolutely blown that she’d rented both at once and kept it a secret.

So late in the afternoon, before dinner, I tore around the house rounding up Dad and my sister and we started to watch Return of the Jedi as the sun was going down. Huh, guess I remember more than I thought about the moment I first saw E6!

My diary couldn’t even handle all the information I had to unload:

Dear Pal,

We saw return of the Jedi. Lai is Luke’s sister! And Darth Vader is Luke’s father. But the Emperor was killed and Darth became good, only he was killed.

Love Megan

I like Luke, Leia, C3Po R2D2 Ham Solo best.

The clearest thing I remember is that when it was over, I passed by the front door to go upstairs and I stopped to watch the moon rising through the cut glass windows. It was nearly full, huge, and felt closer than ever. No movie had ever made me feel that way before. I loved stories, I loved reading and telling stories, but not even any of them had ever made me feel like that.

I wrote that Han Solo was my favorite, but even then, even before I bothered to notice Luke, he was the reason my imagination caught fire — the hero whose journey was the reason Star Wars changed my life.

The Charlie Rose Interview, a year later

Posted in Spotlight with tags , on 18 January 2017 by Megan

Give or take a couple of weeks. Charlie Rose, a person I have never heard of before, interviewed George Lucas, a person who needs no introduction, in December 2015.

This interview is a huge inconvenience to Disney|Lucasfilm and the monster that is New Star Wars, so as the patrons and defenders of trEU Star Wars, we must never let this interview disappear or become obscure. There are so many great lines in this interview that as I listened to it, I kept thinking of so many things I wanted to touch on, so I’ve decided to do a post about it.

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This is the one I want to start with — George Lucas, the human.

ROSE: Because you have worn all these hats, though — filmmaker, director, storyteller, writer, technological innovator — what do you want the first line of your obituary to say?

LUCAS: I was a great dad. (Long pause.) Or I tried. (Heh.)

And in that pause, he looks like he might cry. Rose seems kind of frustrated and repeats, “But do you consider yourself any of those things first? Writer, director?” And Lucas persists, “Dad.” And there’s something so deeply human in this that I had to stop and write a few words on it.

We all have some vision in our minds of who or what George Lucas is. Star Wars connects with each one of us so deeply that it feels like it’s our own. It feels so deeply our own that we can get irritated with him for not executing our vision of what it should be — but the fact is, while he made the OT for himself, he made the PT for his kids. He tells Rose he quit directing to be a dad. George Lucas is just a human being who made some incredible movies, and he is just a human being who wants to be the best father he can.

This is why, however you feel about him, he deserves our thanks and our respect, and why I am increasingly glad I’ve organized Thanksgeorging Day to try and give him something back for everything he gave us.

Lucas’ humanity also struck me in a surprising way when he explained his motivation for selling the company was concern for his employees; he emphasized that the films he’s interested in making now cannot make money and eventually would run the company into the ground.

Around the half hour mark is when he starts talking about how Star Wars is more than “just a silly kiddie movie” and how people keep failing because they make movies about spaceships and it’s “more than just spaceships.” Around the half hour mark is also when I began wanting to hit Rose in the head with a crowbar for sheer annoyingness. He was the most tedious and frustrating part of listening to this whole thing. I know interviewers tend to do this, but it seriously infuriates me how he kept interrupting Lucas to tell him to keep talking. Dude, you want someone to keep talking, you keep your mouth shut.

Anyway, where was I? Oh!

You’re telling a story using tools. You’re not using tools to tell a story.

In Yoda’s terms — that is why you (Disney) fail. Lucas’ observation is spot on that the American film industry is so constricted, so regulated, that it cannot tolerate innovation or creativity. He controlled his emotions pretty well, but it was clear how much disdain he felt that he sold this franchise and all they did was a glitzy re-cast of the film he made 38 years earlier. Movies are growing increasingly worse, with shallow, confusing plots and bad acting coupled with incredible special effects. Because the industry 1) will only sell what has already sold, and 2) puts the tools first.

This is the interview in which Lucas famously described Disney as “white slavers” — he takes full responsibility for selling, but at the same time grimly observes that the six films are his children and he gave them up to white slavers. The metaphor is clear, grim, and doesn’t break down. What are “white slavers”? In the modern context of Lucas’ interview, and especially coupled with the description of the Star Wars saga as his children, it means sex slavery — forced prostitution, especially of minors. It is undeniable that Disney lured Lucas’ brainchild away from him and is whoring it out for money.

That is why I call Disney and Disney’s treatment of Star Wars immoral.

That is why I will never stop resisting and fighting them.

They turned my best friend into an enslaved child prostitute.

This interview came out during the hype of “The Force Awakens” (many sarcastic air quotes), when Disney was frantically pumping that Lucas loved the movie and loved what they’d done — and this interview has been a huge wrench in their works. They tried to suppress it. We must never forget and or forgive while the injustice continues.

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A few random quotations from the interview that I enjoyed although don’t have any particular comment to make on them:

On art

If you want to say, I want to convey an emotion to another human being — that’s something only human beings can do.

On awards

I’m not much in to awards. It doesn’t mean that much to me because I’ve gone through this. … You’re there to draw eyeballs. … I know it’s about the TV show; it’s not about me.

On Hollywood industry

You’re forced to make a particular kind of movie … I know a lot of Russian filmmakers and they have a lot more freedom than I have. All they have to do is be careful about criticizing the government. Otherwise, they can do whatever they want. You have to adhere to a very narrow line of commercialism.

On politics

[In politics] they are doomed to repeat themselves every few years because they do not listen to history.

Review: Fanboys

Posted in Reviews, Spotlight with tags , on 7 January 2017 by Megan

All right, so this is not a canonical entry. But it’s the seventh greatest movie ever made. I watched it yesterday and was so hit between the eyes at how excellent a film it is that I wanted to review it for you today.

First of all, Fanboys is a movie that could never be made today. All the 1998-authentic fanboy language could get you arrested in the ironically-named “free world” today, but far more striking, imagine supreme hateboys Harry Knowles and Kevin Smith doing appearances in a film that welcomes and praises Lucas’ films for what they are? Geddouddatown. Even beyond that, a group of fanboys like the ones who created the film would no longer be interested in making a heartwarming tale about how Star Wars unites us, binds us in a commonality of love for one man’s genius adaptation of a mythological staple. In the 2010s, “fanboys” are more interested in division and discord than they are about the things we have in common. In a post-2014 version of Fanboys, the protagonists wouldn’t be assaulting Star Trek fans for their differences. They’d be attacking other Star Wars fans who have the gall to love the prequels or call the EU “canon.”

My point is, the world was so much better back before 2010. But I digress. Let’s review the awesome movie, eh?

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I first learned about this movie back in ’06 or ’07; it was a preview before a horror movie (maybe Pulse?) oddly enough, and I was instantly hysterically looking forward to it. A movie about Star Wars fans? A movie about Star Wars fans so excited about Episode I that they go to steal a print? SIGN ME UP. (Remember that before 2011, fanatical prequel hatred didn’t exist or was so rare as to be unheard of.) But the film’s release was delayed and I forgot about it on and off until 2009 when I was finally able to score a copy. I watched it with a best friend as we were on a road trip from seeing another best friend in Maryland. We were staying in a place called . . . well, I forget what it was called, but here’s the last ever picture of me as a person who had not ever torn a toenail off, and the bag that I tore the toenail off with about 12 hours after this picture was taken.

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Also, this is where I was and what I looked like when we watched Fanboys for the first time. I have a weird memory. Okay, so I first saw Fanboys in 2009 right before ripping off my big toenail and experiencing the 2nd worst pain of my life, so that’s fun trivia. The point is that in 2009, I had never encountered any prequel hate despite being a big time fanboy who spent lots of time online with other fanboys. The concept of prequel hate was so foreign to me that I thought the last line of the movie was a joke, and I still inevitably take it as a joke (“What if the film sucks?”)

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It’s Halloween 1998. Windows, Hutch, Linus, and Zoe have been friends since they were kids, and they all love Star Wars — even if Zoe is a stereotype girl who scoffs at their passion; that myth is a little frustrating in its perpetuation — so much so that they reminisce about their childhood plot to drive to Skywalker Ranch and watch Episode I before it comes to theaters. Enter Eric Bottler: he used to be the gang’s fourth, but after graduating high school, he spent three years not talking to any of them except for, apparently, Zoe. After Hutch and Windows see the hostility between Eric and Linus, they take it upon themselves to meet with Eric the next day and tell him something incredibly important — Linus has terminal cancer and has less than six months to live.

This is where Star Wars fans understand each other in a way no one else does. The blow that Linus probably won’t live to see Episode I is as strong on its own as the blow that he is going to die and that Eric has spent the last three years alienated from the man who used to be his best friend. In a desperate attempt to redeem that time, Eric convinces them all to join him on a cross-country road trip to steal the Episode I film like rebel agents obtaining the Death Star plans.

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Ebert, who so rightly hit the nail on the head with his review of Episode I, really missed the point of Fanboys and said it was weak for taking itself too seriously. But that’s just the point. Fanboys take themselves seriously because no one else does. And this is a serious film. As Eric struggles to reconnect with lost friends, and his own lost self, Linus struggles to come to grips with his impending mortality. Windows struggles to make his relationship with females work, and Hutch struggles to make something real of himself. With the backdrop of Linus’ illness (almost tragically cut from the final version), Fanboys is no more a geeky comedy than A New Hope is a Kurosawa film with lasers. There’s something more to it. It follows Lucas’ lead, incorporating the patterns of mythology and elevating its subject matter in a way you’d never expect. It’s a film that can make you laugh as well as cry while celebrating something we all had in common when it came out, before the dark times, before the Disneypire.

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So, yes, Fanboys is both hysterically funny and deeply moving. There are parts of this movie that I’ve wrapped up and stored in my memory to help when things get hard. As I struggled through a year full of unemployment, almost literal homelessness, and a tragic death in the family, I could turn to this film and be reassured that no, it’s not trivial to love Star Wars. Star Wars is not trivial. There’s more to it.

In closing, I’d like to give you my two favorite lessons Fanboys takes from Star Wars. First, regrets can shape you but they shouldn’t define you. Everyone has mistakes, but don’t wish you could undo them. “You’ve got to keep the flaws. Crappy effects, real puppets. That’s what makes it so good, you know?” Linus explains in his last scene. Sometimes I feel like I wear regret like a cloak, and I almost burst into tears hearing that last night as I rewatched it.

Second, “You just gotta find your Death Star. The greatest thing Luke Skywalker ever did was take down that Death Star. You just gotta find that one great thing you can do that makes you live forever.” That’s what Hutch tells Eric as the latter struggles with an ocean of indecision about what to do with himself. Everyone, every life has a “Death Star,” one great thing; you just have to find yours. It’s out there and you will have it one day. That’s a guarantee.

Let Them Eat Canon,

Posted in Announcements, Opinion, Spotlight with tags , , on 3 June 2016 by Megan

or,What Do Those Billboard People Want, Anyway?
An open letter to Lucasfilm in response to the letter they’ve been replying to #GiveUsLegends correspondence.

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In pretty much every article that ever popped up describing the billboard and the fantastic dedication of fan love it represents, the authors were baffled about what “Give Us Legends” is about. You’d think it’d be straightforward. I mean, there’s even a press release on the site! But it’s not just the media — Lucasfilm itself has zero comprehension of what we’re asking for. Check out this letter received by some of our realcanon warriors:

And now, allow me to respond.

Dear Lucasfilm,

Thank you for sending letters back to the dedicated fans who spend time and postage on writing to you begging for the lives of Star Wars characters we all love. It’s amazing and exciting to be acknowledged.

Unfortunately, you have no idea what you’re acknowledging. This communications breakdown between us is why I think this schism in the fanbase is continuing to grow and hurting everyone involved.

You’ve probably heard this famous story. A naive French aristocrat was told, “The peasants have no bread to eat!” This young woman, completely unable to understand the reality of peasant life, merrily replied, “Then let them eat cake!”

No, it probably wasn’t Marie Antoinette who said that, but I’m not here to clear up historical misapprehensions — I’m here to clear up your misapprehension, Lucasfilm. Because I think this conversation has taken place in your offices a time or two since 2014.

Ever since you Order 66’d the Universe, announcing that more than 90% of Star Wars’ unprecedented and record-breaking canon was no longer canon due to your new movies coming out, you have been trying to throw us the bone that “some stuff is going to get integrated.”

For two years, you’ve seemed baffled that we aren’t responding to that with the unbridled enthusiasm you expected. You apparently refuse to ask why we don’t like that, because you keep throwing it in our face over and over again. “We’re going to recycle it. It’s not going away. We’re going to take cool stuff and integrate it. Why aren’t you excited? What is wrong with you?”

Did you ever stop to think that maybe we aren’t excited about you poaching the trEU (that’s True Expanded Universe) because we’re angry about what you did to it in the first place?

"Recycling"

“Recycling”

Fans say “Give us legends,” “We want legends,” “Bring back legends,” but it’s clear that you don’t understand what they’re saying. I’ll be honest: I don’t think they really understand what they’re saying, either.

Because continuation is a side issue. It’s not the main thing. Cutting off the story isn’t where you goofed, Lucasfilm.

Declaring it non-canon is where you goofed.

Take a look at every other reboot and remake in history. You — I mean, your master Disney has done remakes before and not gotten this response. Why? What’s the difference?

The difference is, when Christopher Nolan made Batman Begins, he didn’t issue a press release before the premier saying, “This is super exciting. NONE of the Batman stuff you knew and loved is canon anymore, but I’ve integrated all the best stuff into my new movie, which isn’t a reboot even though it’s meant to replace everything that came before. Actually, none of the Batman stuff that came out until now was canon anyway. Enjoy!”

When Star Trek (2009) hit theaters, it included a bit of timey-wimey whitewash to very graphically emphasize that it took place in an alternate timeline, but Paramount didn’t feel the need to tell all the world’s Trekkers that all prior Star Trek canon was rendered moot and had never, actually, been canon in the first place.

Are you seeing the difference? You’re denying our universe the legitimacy it is owed.

Understand this. If you had said “No, the new movies aren’t going to follow the EU,” no one would have been surprised (Abrams set that precedent with Trek 09), but more importantly, no one would have fought you. People would’ve seen the movie out of curiosity. Pretty much nobody would’ve bothered picketing it because it wouldn’t have been a threat.

Your “nucanon” is a threat to us, Lucasfilm. It’s a threat because you’re taking away the legitimacy of a canon that made your current life possible, replacing it, and treating us like we’re idiots for not loving the decision.

This is bad. It’s bad customer service. It’s bad franchise/fandom relation. Do you see why we’re so insulted when you say that you’re going to cherry-pick the stuff you like and “bring it back”? It’s because you threw it in the trash, said it never counted, and then you’re basically plagiarizing it.

It’s as if the Empire blew up Alderaan, told the people of Alderaan it was for their own good, and then started processing what was left of the planet into cheap furniture to sell back to them.

That’s why continuation is important but it’s not the heart of the issue. The heart of the issue is that you’re lying to us all. Fix it. Make it right, Lucasfilm. It’s not too late!

All you need to do is say, “Yes, Star Wars 1976-2014 is canon, but it’s a separate timeline from the canon of 2015 and after.” People won’t be confused, I promise. Nobody watches Star Trek Into Darkness and is baffled about how it fits with Deep Space 9.

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We get it!

We’re smart. We’re geeks; it’s our defining characteristic. We can figure it out. And then instead of fans spending time and money trying to get your attention to right this wrong, those fans might start dedicating time and attention to checking out your alternate timeline.

Now, I said continuation is important. It is important. A lot of fans feel that continuation is the heart of the issue, which is why there’s all this confusion. But hear me out. Understand that granting us LEGITIMATE CANON STATUS is what you need to do to fix this, but that continuing the storyline is a great idea because it will completely double your profits.

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Do you know how many fans are saying they would try Lords of the Sith if they only had Sword of the Jedi, too? Do you care? You should. You think it’s more trouble than it’s worth monitoring two timelines? I promise, the EU has been self-policing for decades. Give Leland Chee his job back, fire up the holocron, and for pete’s sake give them their Sword of the Jedi.

I can guarantee you that your profits will soar, and that fans, set at ease that the canon they invested in before is solid and available, will be willing and maybe even eager to explore alternate universe options. Star Wars Infinities were always popular. I promise, after all these decades of X-Men, geeks know how to process and keep alternate universes separate.

Think about it.

Sincerely yours,
Rebel till I die,

The Star Wars Realcanon RebeLibrarian.

Dear Mr. Lucas

Posted in Spotlight with tags , on 26 May 2016 by Megan

I have complicated feelings about George Lucas. Really complicated feelings. Sometimes I think, “I don’t like him but I respect him” and then I’m like, “But I don’t respect him much either.” And then I go, “no, this feeling is definitely respect, but I don’t think much of him.”

I own a shirt that says Show us on the trilogy where George hurt you, which, unlike the creators of the shirt, I got in 2014 to express my bitter disappointment over his selling the franchise to “white slavers” (his term). They made the shirt because they’re whiny babies about the prequel trilogy, but I think it sums up my betrayal far better. At the same time, though, I have a shirt boasting George Shot First.

lucasshirt

I don’t know the man; I’ve never met him. These are impressions gleaned from behavior, interviews, biography, etc. But it seems to me that George Lucas is a egotistical control freak with social anxiety and no leadership skills. And if that makes you mad, keep in mind that we’re all humans and have flaws. I’m not criticizing him for his personality. He also has a stunning imagination, more knowledge of film than I could ever gain in a lifetime, and a filmmaker’s vision I could no more aspire to than I could aspire to paint the Mona Lisa. His ability to force control of everything in filming the PT resulted in weaker films than they should have been, but that’s balanced by the fact that the OT is weak in its own ways. So what? I’ve said it before: Star Wars is a coloring book. He gave us broad strokes and we can fill it in how we like. That’s the magic of it. That’s why it has universal appeal.

Even though I don’t like George Lucas very much, I’m awed by his accomplishments and I love his work. I have semi crippling social anxiety myself and know he must be some kind of hero level boss in order to overcome it and produce these films; and lest I become guilty of divorcing the trilogies from the EU, let me acknowledge that the EU ALSO CAME FROM GEORGE LUCAS. This was all his idea, his gift to fans. What did “fans” give him? Bile. A decade of harassment and derision.

I think he was manipulated and deceived into selling the Wars, manipulated like the Jedi Council by Senator Palpatine. And when he was tricked into selling his child to white slavers (as he stated in a 2015 interview Disney tried to hush up), the people who should have stood by him cheered instead. And now he’s had to helplessly watch as people who should have been his friends methodically shred his legacy and leave nothing but ashes and bones like a moisture farm after a Stormtrooper raid.

He deserves better. He deserves to have a true legacy, deserves to be allowed to retire. His mistakes should be acknowledged, but they also shouldn’t be held against him forever. We all have mistakes; ours are shrouded in privacy he’s denied.

So I’m setting aside one day a year to thank him. I’m setting aside the last Thursday of May to send him a thank you letter — the last Thursday in his birthday month, the month that gave us his films, the six greatest movies in the world. I think you should write to him, too. In fact, here’s a form letter you can use.

And here’s mine. My letter which should’ve reached him today — a true fan’s open letter to the creator of the Galaxy Far, Far Away. In celebration of the First Thanksgeorging Day.

dearluas

May 23, 2016

George Lucas
Skywalker Ranch
5858 Lucas Valley Rd.
Nicasio, CA 94946

Dear Mr. Lucas,

I’m writing you this letter for a holiday called “Thanksgeorging Day.” It’s an obvious play on “Thanksgiving Day,” celebrated on the last Thursday of May, the month all Star Wars fans set aside to celebrate this wonderful and amazing thing you gave us.

I’m writing to thank you for that. Thank you so much for creating the Star Wars universe. You must have heard this many, many times – but I know you’ve heard other things, less positive things, nasty things as well. I want this holiday to drown out some of that negativity. I hope you can hear the voice of the muffled majority, your fans, the real fanatics who love what you did and are grateful for what you gave us.

It’s the truth: you gave us something no one else did – or could. The spark in your imagination that somehow combined space adventure with mythology and classical themes became a fire, and that fire in turn sparked our imaginations, too.

You once said in an interview that you made films that pleased you, and you were surprised and pleased that they delighted others, too. I just want you to know how much it means to me. Return of the Jedi woke something up in me, gave me my first passion, and the way Star Wars has shaped my life, I think it’s safe to say what you did has helped me become who and what I am today.

It’s not just the films, not just those six pieces of art that defined imagination for generations. It’s the expanded universe you also created, the stories you inspired, the characters you breathed to life and set on journeys written by others. There’s not a day that passes without me thinking about my friends from Star Wars – Luke Skywalker, so much like myself; Qui-Gon Jinn, so much how I’d like to be; even background characters that took on lives of their own, from Wedge Antilles to Lobot.

Your universe has been an encouragement and a pleasure to me when I most needed it. You’ve given me things I can never thank you enough for – but thank you for this universe, for inviting us to join you in it. I’m sorry you’re no longer a part of it, but your Star Wars will always be the (only) Star Wars to me. I just want you to know what a great gift you have given me and fans like me.

Best Regards.